Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present
(eAudiobook)

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Published
University Press Audiobooks, 2010.
Physical Description
7h 11m 45s
Format
eAudiobook
Language
English
ISBN
9781509494668

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Citations

APA Citation, 7th Edition (style guide)

Harold Bloom., Harold Bloom|AUTHOR., & Mort Crim|READER. (2010). Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present . University Press Audiobooks.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Harold Bloom, Harold Bloom|AUTHOR and Mort Crim|READER. 2010. Ruin the Sacred Truths: Poetry and Belief From the Bible to the Present. University Press Audiobooks.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Harold Bloom, Harold Bloom|AUTHOR and Mort Crim|READER. Ruin the Sacred Truths: Poetry and Belief From the Bible to the Present University Press Audiobooks, 2010.

MLA Citation, 9th Edition (style guide)

Harold Bloom, Harold Bloom|AUTHOR, and Mort Crim|READER. Ruin the Sacred Truths: Poetry and Belief From the Bible to the Present University Press Audiobooks, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID7a975229-3632-b3af-f9aa-bdb8f4f17a48-eng
Full titleruin the sacred truths poetry and belief from the bible to the present
Authorbloom harold
Grouping Categorybook
Last Update2023-09-19 06:40:23AM
Last Indexed2024-03-27 03:58:41AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 18, 2023
Last UsedAug 5, 2023

Hoopla Extract Information

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    [synopsis] => Harold Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or "J") writer, Jeremiah, Job, Jonah, the Illiad, the Aeneid, Dante's Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blake's Milton, Wordsworth's Prelude, and works by Freud, Kafka, and Beckett. In so doing, he uncovers the truth that all our attempts to call any strong work more sacred than another are merely political and social formulations. This is criticism at its best. This book is published by Harvard University Press.
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