Incantation of Frida K.
(eBook)

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Published
Seven Stories Press, 2011.
Format
eBook
Language
English
ISBN
9781609800079

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Citations

APA Citation, 7th Edition (style guide)

Kate Braverman., & Kate Braverman|AUTHOR. (2011). Incantation of Frida K . Seven Stories Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Kate Braverman and Kate Braverman|AUTHOR. 2011. Incantation of Frida K. Seven Stories Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Kate Braverman and Kate Braverman|AUTHOR. Incantation of Frida K Seven Stories Press, 2011.

MLA Citation, 9th Edition (style guide)

Kate Braverman, and Kate Braverman|AUTHOR. Incantation of Frida K Seven Stories Press, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID0be4a8bf-542c-2967-694c-6f4e6512bf92-eng
Full titleincantation of frida k
Authorbraverman kate
Grouping Categorybook
Last Update2023-12-01 02:06:05AM
Last Indexed2024-04-20 02:22:29AM

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Image Sourcecoce_google_books
First LoadedMay 16, 2023
Last UsedMar 8, 2024

Hoopla Extract Information

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    [synopsis] => "I was born in rain and I will die in rain," begins Kate Braverman's The Incantation of Frida K., an imagined life journey of Frida Kahlo. The book opens and closes inside the mind of Frida K., at 46, on her deathbed, taking us through a kaleidoscope of memories and hallucinations where we shiver for two hundred pages on the threshold of life and death, dream and reality, truth and myth. Defiant and uncompromising, Frida bears the wounds of her body and spirit with a stark pride, transcending all limitations, wrapping her senses around the places, events, and conversations in her past. Frida K. interacts from her hospital bed with her mother, sister, Diego, and her nurse. She calls herself a "water woman," navigating into unexplored dimensions of her world, leading us through the alleys of San Francisco's Chinatown, of Paris in 1939 (where she rubbed shoulders with André Breton), and of her neighborhood in Mexico City, Coyoacan. Her voyage is an inward one, an incantation before dying. In The Incantation of Frida K., Braverman's language dances and spins. She carves out a bold interpretation of the life of an artist to whom she is vitally connected.
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