Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018
(eBook)

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Published
Abrams, 2019.
Format
eBook
Language
English
ISBN
9781683355298

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APA Citation, 7th Edition (style guide)

Peter Schjeldahl., & Peter Schjeldahl|AUTHOR. (2019). Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018 . Abrams.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Peter Schjeldahl and Peter Schjeldahl|AUTHOR. 2019. Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018. Abrams.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Peter Schjeldahl and Peter Schjeldahl|AUTHOR. Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018 Abrams, 2019.

MLA Citation, 9th Edition (style guide)

Peter Schjeldahl, and Peter Schjeldahl|AUTHOR. Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018 Abrams, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID8809067d-aea2-6b69-ebac-3adc73f13e6c-eng
Full titlehot cold heavy light 100 art writings 1988 2018
Authorschjeldahl peter
Grouping Categorybook
Last Update2023-12-15 19:54:32PM
Last Indexed2024-03-27 04:10:41AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 20, 2023
Last UsedJan 2, 2024

Hoopla Extract Information

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    [year] => 2019
    [artist] => Peter Schjeldahl
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    [profanity] => 
    [title] => Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018
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    [pages] => 400
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    [synopsis] => Hot Cold Heavy Light collects 100 writings-some long, some short-that taken together forma group portrait of many of the world's most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader's experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book.
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